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    Home - “Bienvenue Chez Celine”—Michael Rider Is Remaking the French Label With a Unique Mix of Joy, Optimism, and Hit Accessories
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    “Bienvenue Chez Celine”—Michael Rider Is Remaking the French Label With a Unique Mix of Joy, Optimism, and Hit Accessories

    longdaBy longda2026年6月16日没有评论2 Mins Read
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    “Bienvenue Chez Celine”—Michael Rider Is Remaking the French Label With a Unique Mix of Joy, Optimism, and Hit Accessories
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    That love blossomed in his teenage years, when his wardrobe became an expression of identity as well as a creative outlet. He’d scour the racks of thrift stores for pieces that he could customize before going out dancing at DC’s legendary LGBTQ+ club Tracks. (“I’d look for the same things I’m still attracted to today,” Rider says: “Jeans, military parkas, a zillion blue oxford shirts.”) Still, the idea of art or fashion school never occurred to him. “Maybe because I was growing up around teachers and activists,” he says, “fashion didn’t seem like a way to contribute in [the way] that I wanted to.” Rider attended Brown University, majoring in education and Latin American studies, and after graduating in 2002 he found a teaching position at a progressive charter school in Oakland. “It was wild,” he says. “The kids were amazing, but there was abortion, violence, identity, tragedies, and hormones—it was a lot.” It was then that Rider slowly realized that, as much as he loved teaching, he couldn’t shake the desire to explore his creative side.

    Image may contain Christelle Lefranc Clothing Coat Adult Person Dress Knitwear and Sweater

    FRESHLY COATED
    Kendall, in a multicolored knit intarsia dress, leather bucket hat, and white knee-high boots, has no interest in blending in. Fashion Editor: Malina Joseph Gilchrist.

    Photographed by Francesc Planes. Vogue, Summer 2026.

    In 2004, he moved back to New York, and through his friend, the designer Trevor Ballin, he landed his first job apprenticing with the Garment District couture designer Rogelio Velasco. “It was just four sewers, two pattern-cutters, him, and me,” Rider says. “I would cut organza for him, or get pins, or sew for him, or manage a fitting.” Rider found a studio apartment—right next door to Ballin—on Christopher Street in the West Village, just above an adult video store. The West Village was a far more transgressive place in the early 2000s than it is today, and the streets, near the Hudson River, attracted a large share of gay, trans, and nonbinary youth, which made not only for an exciting sense of community but for a kaleidoscopic fashion show taking place right outside their windows. “It was an inspiring place to live,” Ballin recalls, “being surrounded by young kids who wouldn’t let other people’s style define them.” New York, however, proved only a quick step on the way to what Rider soon realized was his dream: to work for Nicolas Ghesquière in the Paris atelier of Balenciaga.

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